How Waterstones’ boss James Daunt is keeping print alive
James Daunt arrived at Waterstones just as Amazon was about to wipe it out – and yet he turned the…
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Art & Culture
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Art & Culture
Spear’s Midas interview: Trinny Woodall
The style guru talks make-up, entrepreneurs, favourite eating haunts and earning a crust cutting ham with Olenka Hamilton How much…
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£Y€$ (Lies) review: an immersive revival of the financial crisis
Belgian theatre collective Ontroerend Goed gives the audience a thrilling taste of the trading activities which led to the 2008…
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William Cash: A call for mental health support for the wealthy
Wealth doesn’t guarantee good health – and when it comes to mental health it may even endanger it, writes William…
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Review – Michael Jackson: On the Wall
Emily Bevan heads to the National Portrait Gallery to examine the extent to which culture worships the King of Pop…
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Upcoming: ‘The Gilded Desert’ and other allegories of the beau-monde
Adam Dant delightfully satirises the ‘Domus Aurea’ that is Annabel’s and the gentrification of Chelsea in the artist’s latest series…
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The Diary: Sophia Money-Coutts on California
Sophia Money-Coutts takes a drive down the Pacific coast and discovers the magic and curious contrasts of Californian life To…
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The marvels of Christo’s pyramid in Hyde Park
Christo’s latest floating project has landed in the heart of London and made quite a splash, writes Anthony Haden-Guest It…
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Sotheby’s slumps in high-end art, while Christie’s achieves ‘sale of the century’
A disappointing half-year at the auction house signals to the intensity of competition at the top, particularly with its biggest…
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Review: The King and I, London Palladium ★★★★★
Laura Plumley hugely enjoys a brilliant reimagining of the Rodgers and Hammerstein classic at the London Palladium Everyone has their…
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Review: Picasso 1932, Tate Modern
An important exhibition at the Tate Modern shows the sheer extent of Picasso’s creative energy, writes Christopher Jackson It was…
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Fitzdares launches racing futures list at Glorious Goodwood
William Cash joins the Bright Young Things of the racing world in Sussex for the launch of the Fitzdares Racing…
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Review: The Lehman Trilogy, National Theatre ★★★★
Head to the National Theatre for Sam Mendes-directed The Lehman Trilogy, an epic night to remember about one of capitalism’s…
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Review: Summer Exhibition 2018, Royal Academy
Grayson Perry’s eclectic curation makes for uncomfortable viewing, but it is an honest take on art in the present, writes…
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This heat is eroding our social norms
The scorching sun has brought British fashion out of its shell, with bizarre consequences, writes Alec Marsh With the mercury…
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Sale of the century: inside the Rockefeller auction
Christopher Jackson heads to New York for the $800 million sale of the art collection of Peggy and David Rockefeller…
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From Russia with l’Oeuf: why the Fabergé phenomenon lives on
From imperial St Petersburg to Mayfair and North Wales, the legend of Fabergé has captivated generations of aesthetes, writes Olenka…
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Review: Thomas Cole — from Eden to Empire, National Gallery
Christopher Jackson heads to the National Gallery and is educated in the work of an artist who should be better…
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In search of Eton’s ‘general, total failures’
For many years Eton named and shamed boys who were struggling academically in front of their peers – and for…
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Review: ArtNight 2018
The weird and wonderful world of contemporary art is worth staying up late for, writes Rasika Sittamparam We knew it…
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