Book review: Saving the City by Richard Roberts
Saving the City: The great financial crisis of 1914 Richard Roberts EX LIBRIS ‘The financial crisis of 1914 was the…
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Book review of Flash Boys by Michael Lewis
Flash Boys: Cracking the Money Code Michael Lewis EX LIBRIS A Michael Lewis book is an event. Flash Boys, about…
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Review: This Was A Man, Finborough Theatre
This Was A Man (originally banned by the Lord Chamberlain in 1926) has to be one of the most clever…
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Why I’ll be giving doulas – and strangers – a wide berth
I’m almost there. I’m almost there. I’m almost there. That’s what I keep telling myself every day as I trudge…
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Book Review of Those Wild Wyndhams by Claudia Renton
Those Wild Wyndhams: Three sisters at the heart of power Claudia Renton EX LIBRIS Can it be said in any…
ByWhy I’ll be giving doulas ’ and strangers ’ a wide berth
One of the best things about marrying an Englishman is how polite they are, but there are some situations when…
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City boys stuck in London needn’t melt from boredom and envy
While the City boys are fist-pumping in St Tropez’s VIP Room and dancing the night away at Paradise in Mykonos,…
ByCity boys stuck in London needn't melt from boredom and envy
If you’re stuck in the office this summer, dreaming of St Tropez and beach-side cocktails, then make the most of…
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Innocent founder Richard Reed has conviction that Art Everywhere can go global
Waterloo Station is rarely a destination in its own right, but that’s where we gathered this morning to watch Grayson…
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Punk turned gourmand Loyd Grossman sets his talents to saving Britain’s churches
IN LOYD WE TRUST The first communication I ever had from gastronome, former Masterchef presenter and heritage champion Loyd Grossman…
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Review of The Crucible at the Old Vic
Time and again the parallels Miller intended between Salem in 1692 and Joseph McCarthy’s witch hunts have returned in life,…
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We meet the Kabakovs, Ukrainian emigré artists fighting for peace
‘The harder I practise, the luckier I get’ has long been a popular mantra in golfing circles. Well, the life…
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Silent Exchange by Charlie Waite, National Theatre
Inside the concrete matrix of London’s National Theatre, Charlie Waite holds up a wine glass on which rests a perfectly…
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Christie’s turns its nose up at Sotheby’s cheap art sales remark
If you had any generous thought that rancour between Christie’s and Sotheby’s was over, you would have been contradicted yesterday…
ByChristie's turns its nose up at Sotheby's cheap art sales remark
At a Christie’s press breakfast I asked CEO Steven Murphy how he felt about the claim a rival house was…
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Art collector Lorne Thyssen-Bornemisza on rediscovering antiquity, going back to school and archaeological disputes
Provenance, as any art dealer will tell you, is key: where has this painting come from? The better the painting’s…
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Too much freedom can be oppressive
FREE TO REFLECT Freedom can be such an elusive concept — elusive because it’s pervasive, permeating. By desperately needing it,…
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Spear’s debate has Theo Fennell putting Philip Mould at the sharp end
Spear’s has never been afraid of quick-witted, silver-tongued arguments, so naturally for our annual breakfast event at Masterpiece London we…
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Opera Review: The Cunning Little Vixen at Garsington Opera
It pains me to say it but I’ve rather fallen out of love with Glyndebourne. Yes, the standard of music-making…
BySpear's debate has Theo Fennell putting Philip Mould at the sharp end
Our illustrious panel nominated their masterpiece of Masterpiece Spear’s has never been afraid of quick-witted, silver-tongued arguments, so naturally for…
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