William Cash’s letter from issue 51
William Cash recalls endless stamp-licking during Spear’s early years, and its progress from an office above a kebab shop to…
ByWilliam Cash recalls endless stamp-licking during Spear’s early years, and its progress from an office above a kebab shop to…
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The eminent florist Philip Hammond, tells Zak Smith about the ‘transient’ but powerful form of artistry he relishes. In the…
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Sam Leith explores the origin of that apelike ‘atavistic bellowing noise’ operagoers make to express disapproval. I was chatting to…
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Spear’s equine correspondent, Eleanore Kelly attends British Polo Day’s 50th event, mixing it with big brands, big characters and big…
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Daria Solomatina visits Grosvenor Square’s summer festival to enjoy jazz, tea parties, trade secrets and community cohesion. People don’t naturally…
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London society has a new stalwart in its summer season calendar, says William Cash. Kylie Minogue With the fountain courtyard…
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The Kazakh artist’s satirical work is ‘subversive and yet leavened by a deep vein of wit’. There was a strong…
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Anthony Haden-Guest on why Christo’s most ambitious project, The Floating Piers, although brief, will live on in memory and Art.…
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Far more than chukkas and champagne, British Polo Day is ‘the founder of MySpace talking to the Maharaja of Jodhpur,…
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Spear’s friends, old and new, joined the Spear’s editorial team and founder William Cash for an evening of champagne, chocolates…
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Rasika Sittamparam visits London Craft Week and peeks into the creative hinterland of some of the country’s most talented artisans.…
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On the 50th anniversary of the Swiss sculptor’s death, this window on his Parisian existential orbit and his influence on…
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Susan Johnson explains the coveted tax status that turns privately-owned art into marketable national treasure. It has recently been reported…
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Sophie McIntyre reports on Keith Coventry’s latest foray into Consumerist art and the inspiration of McDonalds. PACE London, has just…
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After the success of the 2015 debut, London Craft Week returns with its 2016 programme next week. This year’s line-up,…
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But only at the very highest end of the market says Marina Griggs. The dramatic headline ‘World art market stalls…
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Alex Matchett visits two very different exhibits that are rendering the legacy of some of our most treasured literary heroes…
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Peter York on a chewy history of our most famous car brand and Christopher Silvester on an erudite and witty…
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The consequences of capitalism’s mismanagement are sharply shown by Round’s wandering but powerful film Capitalism is a tough customer. A…
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Above: Adeline de Monseignat’s ‘Mother HEB Loleta’ 2012. In just six years the guide curated by Justin Hammond has become…
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